Tuesday, 24 November 2015

BBFC (British Board of Film Classification)


"Parents would like to calibrate parental controls to filter out inappropriate music video content for their children and we look forward to working with the Digital Service Providers to incorporate these findings into the way age ratings and BBFC insight is presented on their platforms. Non-UK label artists wanting to submit music videos for an age rating and further digital service providers wishing to display them are also welcome to help broaden the coverage of age ratings for online music video content in the UK." - BBFC (British Board of Film Certification)

After we watched the 'Princess Bride' as part of our understanding of age categorisation in film certification we had a talk from an employee of the BBFC. He used the 'Princess Bride' as an example of films that needed to be reviewed by them again due to the mild gore and some inappropriate language such as "Son of a bitch". The film was originally given a PG rating but after many requests to have it reviewed again to fit with modern society. The BBFC stated that they believed that the film still stood as a PG as the gore and strong language is only mild and brief.






Sunday, 22 November 2015

Conventions of a DigiPak





A DigiPak is an original style of CD or DVD case or packaging, listed by the media conglomerates AGI Media and MeadWestvaco. The idea for a Digipak is that it will make the product more appealing to customers as it is a direct product of the artist, group or film. However, in current society the majority of people simply download their music online; making the use of Digipaks obsolete. Each Digipak is considered special as it is a form of memorabilia from the artist or group. Though it is only available to those who purchase the physical copy of the CD or DVD as its container is the DigiPak itself. Those who download the music sometimes are able to have an image of the DigiPak cover as the song is playing.


 

 DigiPaks today have become more original and artistic which has proven popular for some genres of music and their audiences. DigiPaks often have a gate fold seem which allows them to open out like a book. Usually the outer packaging is produced mainly of acrylic which provides some protection to the CD; but the CDs are very fragile and can be easily shattered or scratched. This will lead to the CD to be unplayable as it is damaged beyond repair. The front and back sections are the main forms of advertisement for the CD as this is what the customer usually sees first before purchasing the item. The interior of the DigiPak is used more so for information which can relate to the artist, group or song. The front of the DigiPaks often has a large attention-grabbing image on it which entices the consumer.


Saturday, 21 November 2015

More Filming

Filming today I think was a success as we got all the shots we want to achieve without any hassle from the public or any inconveniences from the weather. From what I have seen of the video so far it is looking very promising and cannot wait to finish the filming to see what the final video looks like.

Tuesday, 17 November 2015

Post-Modernism in Sense8 (S1 E1)


 Sense8 is an American science fiction drama released on Netflix and created and written by Andy and Lana Wachowski and J. Michael Straczynski.  The series was released to audiences on the 5th July 2015 and has continued to the present date. The Netflix viewership has rated the series at 4.2/5 stars form over 1 million users. The series tells the story of eight strangers who are thrown into a supernatural world in which they are all connected both mentally and emotionally. Sense8 uncovers the more touchy subjects and the genre and society generally disregard. This can include politics, identity, sexuality, gender and religion.


 Capheus (Aml Ameen) is an African matatu driver working in Nairobi with an obsession for Jean Claude Van Damme, as revealed to the viewer with the paint work on the minibus. It is shown to the audience that Capheus works hard and consistently in order to pay for his mother’s medicine who is suffering from AIDS. The show here shows how tough it is for the working class in a third world country to support their families. Sense8 also casts quite a unique group of actors and actresses for their roles. An example of this would be the character of Nomi Marks (Jamie Clayton) who in the series plays a transgender woman who is in a lesbian relationship with her partner Amanita (Freema Agyeman). However the actress who plays Nomi is actually a transgender woman herself. Another form of homosexuality within the show is that of the Lito Rodriguez (Miguel Ángel Silvestre) who plays a famous actor but is secretly gay and feels that he will be seen differently by the public and media leading to his career to decline. The difference between the two forms of homosexuality in the series is that one has no problem with what the world thinks of them and kiss and celebrate their love and passion in public; this being Nomi and Amanita. On the over hand, Lito is somewhat ashamed of his sexual nature and has a secret boyfriend due to fear of peoples’ opinion of him changing.


A form of region that is represented in the series is when Kala Dandekar (Tina Desai) is praying to the Hindu God Ganesha. She speaks to Ganesha about how she is to be married and how happy everyone is with this news but she doesn’t love the man she is to marry. She is trapped by the tradition of her culture and does not want to dishonour her family who are so excited. Kala prays to Ganesha for guidance and help with her decision. The writers could have choose this God in particular as Ganesha is God of wisdom, knowledge and new beginnings, the new beginning or journey she is about to take is that of this link and connection between herself and her new found brethren.


Politics is all represented throughout the series as when Nomi and Amanita go to the park to join some friends who also happen to be homosexual one of the friends confronts Nomi about their recent political statement and how she believes she is unfit to be a hacktivist (a person who promotes political agendas) and blogger. This verbal attack leaves Nomi to run off and weep to which Amanita defends her and catches up to her to console her. Nomi states that she is not upset by what the other person said but the fact the “No one has ever stood up for me before”. This here could be an inside campaign by writers to show the struggle that various groups in society have and how it has a major effect on their life with this constant bombardment of offence and  hateful negativity. One of the writers themselves (Lana Wachowskis) was born a male and as of 2009 has since become a female. This could be from her forms of experience as she will know first hand how the public can react to something that is seen as different to them.


The series can be seen as postmodern in the sense that it amplifies globalisation with how in one scene we are in a club in London to the next being at a temple in Mumbai. This way the writers and director can help the audience better understand the different cultures that are in the same time period. However this could be seen as in tensional but somewhat lazy with the lack of narrative as the episode jumps from place to place allowing only a few minutes to gain as much detail and knowledge about and form the characters as possible. I understand the writers want to keep areas of the series a secret but with a little narrative and direction the episodes can come across as a bit boring for the audience to follow. Also the fact that eight different storylines are going on at one can be seen as a tad complex for the audience to understand and track.

As well as being postmodern the series has some elements of stereotypes with the use of African-Americans. When Will Gorski (Brad J. Smith), a Chicago police officer, goes to respond to a callout were shots have been fired and they are to secure the premise. Will and his partner go to the location of the incident and find an young African American teenager who appears to be shot. The young teen seen the officers and pull his gun out on them in which Will does the same back. The boy soon puts his weapon down and asks for their help. Will immediately goes to assist the boy and ask for his partner to call for an ambulance, his partner however replies saying that “it’s not going to make a difference away”. Will then responds saying to his partner “I know you do not want to let this kid die” to which he replies “What would he do if it was you or me?”. Will clearly knows the answer to this rhetorical question but out of his good nature continues to do his duty not just as a police officer but as a human being. Will goes against the stereotype of American cops as he is going to stop at nothing in order to make sure this boy survives. Yet, his colleague is depicted as following all stereotypes of American police officers who are brutal to the African American race that live in American and in most recent news have even gone to the lengths of killed innocent citizens to represent their authority. Will and his partner are the complete opposite and that was clearly intended by the writers to do this to further represent that not everyone is bad even the American Police Force in this instance.

What I have watched of the series is that is completely postmodern and one of the first forms of media to incorporate such bold subjects and explore them to the fullest. The way in which reality and fiction in both in play is amazing as one moment a situation which people of the audience can relate to is happening then the characters are having visions or being teleported to an location thousands of miles away from this previous one. 

with it in a different way to how we would. 

Friday, 13 November 2015

Filming Postponed

Today film was postponed for a little while as the weather was too bad for us to film in due to the rain. But we did manage to get a couple of lyric shots done a few hours later when the rain had gone. We did the lyrics shots on a promenade and some others near the beach. Still some work left to done.

Wednesday, 11 November 2015

Second Day of Filming

Today it was round two of filming. Instead of Red Rocks (which was our last filming location) we decided to  use the promenade of West Kirby to link to the beach and also represent the different light sources at the street lamps gave a good effect of camera. The plan for today was to film some of our lip syncing shots. However, we encountered difficulties with the weather as it was raining heavily and then chose to clear up a little while later so we could film eventually.  the tide was in giving an extra feature to our filming and the sun was shining. But it was still windy conditions whilst filming as you can tell from the video but Paddy (our editor) can simply take out the background noise and implement the part of the song we need. As well as syncing my lips to the lyrics of the song.

 However we encountered some issues as we were in public we had a few problems with pedestrians who despite seeing us with a camera and tripod didn't realise we were filming. We then had to reshoot some shots which wasn't a big deal. We didn't need to take any light equipment as we use natural light to create the nice sunset/ sunrise effect.

Tuesday, 10 November 2015

First Day of Filming

Our first day of filming got off to a good start. As our hair and make up designer it was my job to get Ben to look camera ready. In order to do this I styled his hair into a undercut with a dry look quiff using clay-wax. I also applied his face with concealer to hide any spots or marks on or around his face as best I could. After Ben initially being the lead role we found that he had some trouble with his timing and performance so Paddy and Liam asked if I would give it a go. After I had a change to perform everyone seemed pleased with the result and we decide that I would be the lead role as well. We used light stands to light the scene up as we need to film at night but still needed to see the mise en scene. We did suffer some technical difficulties as the light bulbs kept cutting out and the memory card was full of previous data.

Me (left), Ben (centre) and Liam doing hair and makeup.

Filming Equipment



Me (left), Liam (centre) and Ben (right)
While we were filming we had a variety of various equipment: a Canon Camera DSLR, a Dolly, a Tripod and for the first time a Lighting Rigs.

The camera we used was Paddy's personal camera as it had a clearer zoom and a better resolution than the cameras offered to us at the college. The camera was very good to produce what we wanted as it had features we found useful whilst filming such as reducing the shutter speed for fast paced scenes. However, even though it is a very good and professional camera the zooming function is manipulated via the lens meaning that automatic zoom is not an option therefore the zoom may be slightly jumpy an not as smooth as intended.

(Snapchat Image)


We used the dolly to increase the height of certain shots and manoeuvr the tripod. They are very expensive. The dolly was very easy to use and carry around whilst needing to film in other locations. The dolly helped create dynamic shots and in tracking shots as we were able to move the camera mounted on the tripod.

The tripod we used was very simple but did the job. This piece of equipment was key in making our shots look as stable as they could be; even when filming at various different angles.

The lighting rigs also came in handy as we filmed a lot of shots at night; therefore we needed a source of light. The rigs helped us create the certain lighting we wanted to achieve and help link to the theme of artificial and nature lighting. We also planned to use both lights when doing the lip syncing and the headlights of Paddy's car for other shots.