The definition
of ‘narrative music video’ is not the easiest to define. However, Diane Railton
and Paul Watson state in their book titled Music
Videos and Politics of Representation that: “As the name suggests, the
narrative video is defined by the fact that it tells a story. It can do this in
a number of ways, but ways which nevertheless activate forms of visual
narration that, on the one hand, variously illustrate, complement or extend the
lyrical content of the song, or, on the other hand, function independently of
it.” This definition by Railton and Watson proposes that while a narrative
music video does tell a story, it does not necessarily have to tell the story
of the lyrics of the song.
With Tzvetan Todorov theory of
equilibrium in mind when describing my music video I would say that it does
follow his theory; however the manner in which the theory is displayed to the
audience shifted from the original idea. Due to the video starting with the
attempt to repair the disruption identified in the breakup scene resulting in
the current state of disequilibrium the video follows a non-linear structure. Todorov’s theory usually follows the
structure of the equilibrium, disruption, the recognition of disruption,
attempt to repair and then the new equilibrium. In our video the equilibrium is
the happy relationship between the male lead and the female, the disruption of
the girlfriend with her new lover with the recognition of disruption of the
boyfriend finding the two; and finally the new equilibrium of when the
boyfriend becomes the ex-boyfriend and finds new peace with the fact that he is
better off without her and her disloyalty.
Another
theorist I would like to mention is that of Vladimir Propps who suggest the
theory of character types; that being that there is seven main characters that
every narrative follows but ours just includes six. His characters as listed in
my music video are as follows: the ‘Princess’ that needs saving which can be
defined as the boyfriend being helpless and needs to be rescued, the ‘Hero’
being the same person of the ‘Princess’ as he saves himself from the
relationship - this is much like Taylor Swift’s music video of Shake it Off as she too starts as the ‘Princess’
but later is revealed to be her own ‘Hero’ as she becomes her own dominate
figure, this is representing the power of women even if they are alone. Other
characters include that of the ‘Villain’ the girlfriend, the ‘False Hero’ of
the new lover and lastly the ‘Helpers’ which are the group members who are seen
singing as well.
Andrew Goodwin has a theory that states that there
are three categories about the relationship between what is portrayed in the lyrics
and what is on screen at the time of the music video. Illustrative music videos
are purely upfront visual representations of what is said in the lyrics.
Amplified music videos take the meaning of the lyrics and amplify them
creatively to give them a surreal twist. Contradictory or disjuncture music
videos are totally abstract, and the visuals bear no relation to the lyrics,
music, song title or artist, and therefore oppose the other two categories. I would
say that my music video is illustrative, as the lyrics of Shine are about a young male who is struggling with his love life,
desperate to escape or be rescued and only now just realising it, just like our
male lead.
My group used a closed
structure as it is a convention of music videos and it is more satisfying for
the audience to have closure. It is vague in the sense that we don’t know where
this boyfriend is going to do next, but we have the clear ending to the
storyline and conclusion as we know he has moved on from this relationship.
Claude Levi-Strauss produced
a theory known as binary opposition, which in music videos applies to the idea
of juxtaposing two notions which don’t agree with each other to create internal
clash for the character. The binary opposition in our video is love versus
hate, as the boy loves the girl, but she hates him and feels the need to cheat
on him, and he is filled with hatred upon catching them and when he leaves her.
He then goes out to the beach where he learns that he can be happier without
her.
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